When I was in elementary school a zillion years ago, we had wood shop for one afternoon every week. ALL afternoon. An old garage on the campus was fitted out as a complete workshop, with big wooden tables and all the tools and lumber we needed. I made a boat, a book shelf, and a soapbox car for our soapbox derby. I also carved a wooden spoon that my mom used in the kitchen for the rest of her life. Entire classes at the school took on projects like building playground equipment and lunch tables and a covered wagon. I learned how to use a ruler, a tape measure, a compass and protractor, and I learned all the mathematics of measurement. I learned to use hand tools: the saws, the drills, the vise, the rasp, and the sander. I learned that you have to see a project through to the end and not do a slapdash job of it. Pretty good lessons!
My school, Antioch Elementary, in Yellow Springs, Ohio, still exists. It was founded in 1923 on the educational theories being developed at the time by the education philosopher John Dewey, and today it is the longest uninterrupted Dewey-based school in America. I had always thought that the educational justification for such a luxurious use of my school time was Dewey’s philosophy of learning by doing. I had absolutely no idea that it was based on a nineteenth century pedagogy from Finland.
Once when I was in the Los Angeles Unified School District’s Arts Education Branch, our staff took a little field trip to the LAUSD archives to visit our curator. She was preparing a trunk of artifacts to take around to schools as a local history lesson. One of the items was a second grade report card from the year 1900 on which there were grades for five subjects: reading, writing, arithmetic, music, and sloyd. We were baffled. What the heck was “sloyd,” and why was it so important that it actually had to be graded?! Back then iPhones were brand new and only one person present had one. He whipped it out and within seconds we learned that sloyd means “handicrafts,” and it was a Finnish pedagogy started by Uno Cygnaeus in Finland in 1865 and refined by the Swedish educator Otto Salomon (who, like Richard Mulcaster, who trained Shakespeare’s teachers in the 16th century, worried about the fact that elementary school is too boring for children, and solved the problem by giving them something to DO!). The system was further refined and promoted worldwide, and was introduced in the United States in the 1890s by Meri Toppelius. It is still taught as a compulsory subject in Finland, Denmark, Sweden, and Norway. One of my theatre teachers is married to a man from Finland, and she tells me that he still proudly displays embroidery he did in his sloyd class in school when he was a child.
The Antioch School is affiliated with the college, and my peers there, in the 50s, were mostly the children of professors—a fairly rarified community. Dewey’s educational philosophy was certainly studied and admired back then: it influenced education in public schools but was never fully implemented. After Sputnik and A Nation at Risk it fell out of favor almost completely and we seldom hear of it now. But sloyd pre-dated Dewey, and there in the archives of the Los Angeles schools was rock solid evidence that the project-based learning Dewey promoted was alive and well and mandatory at the turn of the century, in at least one major school district in the United States, a generation before Dewey began writing about education.
It turns out it was more than just Los Angeles. Toppelius and her sister Sigrid were invited first to Boston, where they set up training programs. Sigrid stayed in Boston while Meri went on to Chicago where she started a sloyd department in Chicago’s Agassiz school. They also trained teachers as in Bay View Michigan as part of a Chautauqua summer program. So by the end of the century, at least three major cities in the United States were employing sloyd in at least some of their schools, and there were major training programs in sloyd attracting teachers and administrators from across the country. (I’ll keep researching this. If any of my readers know anything more about it, please share!)
If you’re interested in learning more about sloyd, here is link to a PBS program called “Who Wrote the Book of Sloyd” that’s pretty entertaining. It features the very old book on the left, which was re-issued in 2013: “The Teacher’s Hand-Book of Slöjd” by Otto Salomon. Sloyd is really about all of the handicrafts, including sewing, weaving, knitting, crochet, embroidery, and paper folding, all of which we learned at the Antioch School, but its most lasting impact on education in the United States was on programs that included woodworking.
John Dewey was certainly influenced by the sloyd movement, as he was by the Settlement movement I have written about in a previous post. It has always struck me how completely the arguments for arts education align with the philosophy of Dewey and of sloyd. Engaged learning. Productive learning. Project-based learning. Hands-on learning. They’re all related and they all lead to deep and enduring learning. They all incorporate the body and the mind into the cognitive process. I didn’t know at the time how incredibly lucky I was to be educated in that way, but I loved school, and for all of my years as a teacher and arts administrator I have endeavored to give my students something of the joy I experienced as a child in the wood shop.
Thank you Tim Rudnick, devoted loving husband of Robin. I am ever grateful to you for your help and inspiration as a friend and a practical teacher, when you made a wood staircase leading to the loft where my new born son was to sleep on the first and following days of his sweet life in 1977. There were other things and projects that we shared in those precious years, for the art that we know and practice in all of its forms and practices, and honestly, it seems that Wood has been a common element in the structure of that making. Glory be to the Trees, and our mutual friend Yoko Ono, who has been a practicing Tree Hugger for many years now, and I should remind you that she will celebrate her 86th birthday on February 18, 2020.
Heard about Sloyd on a PBS wood shop program. Wish we had a local program. Sent you pictures from a Norwegian museum of various tools and workshops, let me know if you didn’t receive them and I’ll try again. I have only few memories of school-counting the holes in the white ceiling tiles, a Latin teacher named Miss Shade (tiny and earnest) who was rumored to have a twin sister named Miss Shade who taught Latin somewhere else, fear god might blast my head with lightening if I forgot to wear my beanie in the chapel, a nice science teacher who looked me in the eye and said I would be a scientist when I grew up (do have a masters in science tho never considered myself a scientist), the drama teacher giving me an angry look from offstage when I wouldn’t deliver a really stupid line during a performance ( cockadoddle-do, oh how well I feel ) as Hansel in Hansel and Gretal, 7th grade, it was a girl’s school. Thanks for the sweet Christmas card of the grand children, should we do theatricum botanicum again this summer? Heidi
I was in high school in the 1950’s in a public school in Springfield, Mass, and I recall that we did have a “shop class” where wood things were made, however I do not think that the program remained long in my high school classes. My father was a kind of person that believed in doing it yourself, and that was an inspiration to me for the following years of my life. In the past few years I have been making documentary films, self produced and inspired by my internal mission, as an artist, the subjects of which have been, 2 films that I have made, now as a professional career. I continue to make art myself, however I have also learned that making films is very much also a team activity, as well as a “hands on” process, at every stage of the making. I relate that to the basic ideas that are gained and cultivated by the simplicity of making an object of use, such as is done in wood shop activities, where usefulness by others is such a direct inspiration, in the making. My feeling is that simplicity in all things is primary to the life learning process, and that is an individual and a collective process. Yesterday I was walking on the street in Brooklyn and passed by a PS school that was on lunch break, and all the kids were playing very joyfully, with great noise and totally inventive activities, running around , shouting and inventing the games in the moment, and it was a very inspiring perception. I happened to be on my way to visit my son, who lives in Brooklyn, and is an attorney with a specialty for representing the artists of NYC, in “live/work residency’s”. My son grew up in artists lofts in NYC, so he has first hand knowledge and a mission to serve that community, with hard work and a generous spirit, and that is my pride. He now has a family of 2 daughters and a loving wife, and has recently bought an old house in the country with a barn. When I was visiting him there, I was able to photograph him as he was working in the barn, making wood furniture, which he loves also with his personal measure of pride. The simplicity and usefulness of wood is quite close to us humans. Wood as a present element of nature and its function, it’s meaning. and its use in building. That is the kind of meaning that I have ascribed to as an artist of life.
I enjoyed this blog. “Shop” at the Antioch School started my 70 year old interest in woodworking and carpentry.
I made a napkin ring out of wood. I think it had a rabbit on it. I’ve loved the coping saw ever since. Math, spatial relations, patience, esthetics, strength–all aspects of woodworking.
This blog What the Heck Was Sloyd? helps me a lot with my woodworking projects.
I also use amazing woodworking plans from here: https://s96.me/woodworking-plans (or clik
on name) 😉 Kiss you all!